Photography prints by colour.
Choose the colour already in the room, or the one it is missing. Each opens the photographs that carry it.
The colour, as the photographs hold it.
Under each chip, the tones that colour takes in the house's photographs, measured from the photographs themselves, lightest to darkest.

Limestone
Neutral photographsSnow, stone and muted light.
Lido Yellow
Yellow photographsOften the smallest thing in the frame, and the first you see.
Terracotta
Orange photographsThe warm end of the card.
Pillar Box
Red photographsUsually small in the frame. Never quiet.
Heather
Purple photographsThe quiet side of red.
Harbour Blue
Blue photographsSea, sky and mountain shade.
Paddock Green
Green photographsTrees, streets and motoring details.
Silver Gelatin
Black and white photographsPrinted without colour.
A few to start with.
The picture first. Then the frame.
A colour can fill the frame or be the detail that makes you look twice. These selections include both broad tones and distinct accents.
Start with a colour already in the room, or choose a photograph that introduces something different. Compare the full image and its balance of light and dark before choosing a size and frame. A work can appear in more than one colour selection.
Before you order.
How is a photograph given a colour?
How long does a piece take to arrive?
What does "archival" actually mean here?
Is this an edition or an open print?
What does the Foundation support?
1.5% of every profit, in perpetuity, goes to The Good Season Foundation.






