Small · Unframed
30 × 20 cm
Made to orderShips within 72 hours
Est. UK arrival Mon 26 Oct
Delivery & returns
Estimated UK arrival Mon 26 Oct. Complimentary tracked, insured delivery. Made to order. Ready to ship within 72 hours, followed by next-day UK delivery. International transit takes longer; bespoke timings are agreed separately. If your piece arrives damaged, contact us within 30 days for a replacement. We do not accept change-of-mind returns.
Delivery details · Returns policyAbout this work.
A bus, a line of cars and a distant tower share a narrow view through New York. Canal Street by Jordan Cahill catches the city at street level, where yellow traffic lights punctuate the stone, brick and softened daylight. The tall buildings make a frame within the photograph, drawing the eye beyond the traffic towards the pale tower in the distance. Darker facades give way to haze as the street recedes. There is the scale of Manhattan here, but also its ordinary working day: road markings, shopfronts and people getting somewhere. A vertical New York photography print for those who prefer the city with a little life in it. The muted colour sits comfortably with wood, leather and warm neutrals. Choose your house size and an unframed, black, white or wood finish.
The palette
The photographer
Jordan Cahill
Jordan Cahill photographs the world as he finds it: ancient stone, open water, and the light between mountains. Northamptonshire-based. Ten years in the field.
Meet Jordan CahillMore by Jordan Cahill
Dimensions and specifications
Small · Unframed
30 × 20 cm · 12 × 8 in · White paper border
- Size
- 30 × 20 cm12 × 8 in · before framing
- Frame
- UnframedReady for a frame of your own
- Paper
- Hahnemühle Photo Rag, 308 gsm100% cotton · acid- & lignin-free · smooth matte
- Printing
- Giclée, archival pigment inksMade to order · colour-matched to the artist’s proof
- Weight
- ~30 gPaper sheet, no hardware
- Packaging
- 40 cm tube, 8 cm acrossRigid mailing tube, end-capped
- Delivery
- Estimated UK arrival Mon 26 OctFree, tracked and insured · ready to ship within 72 hours
Sizes are before framing. Weights and carton sizes are indicative. Room views and border proportions are illustrative.
Every size
- Small30 × 20 cm · 12 × 8 inA quiet hello. Hallway, bedside, kitchen shelf.
- Medium46 × 30 cm · 18 × 12 inReading-chair scale. A desk, a console, a stack of books.
- Large61 × 41 cm · 24 × 16 inSized for a sofa, a mantel, a wall that needs an answer.
- XL76 × 51 cm · 30 × 20 inRoom-leading scale with serious presence.
- 2XL91 × 61 cm · 36 × 24 inIt changes the room. Above a bed, behind a dining table.
- 3XL107 × 71 cm · 42 × 28 inFloor to eye. The room organises itself around it.
Sizes are before framing. Unframed pieces come with a white paper border. Framed, a white border gives the photograph breathing room; no border takes it to the frame. Room views and border proportions are illustrative. Want to choose your size and frame or commission a bespoke size
Materials and production
- Paper
- Hahnemühle Photo Rag, 308gsm. 100% cotton, acid- and lignin-free, with a smooth matte surface. The cotton rag museums reach for when they want a print to outlast the wall it hangs on.
- Print process
- Giclée, archival pigment inkset, Hahnemühle-certified workflow. Made to order on a calibrated wide-format printer, rated for a century-plus of lightfast life under normal indoor display.
- Colour
- Colour-matched against the artist's reference proof before the edition opens, then checked again against the proof on every print.
- Frame
- Sustainably sourced oak moulding, hand-finished in the UK. A 20mm face on Small through XL; a deeper box profile on 2XL and 3XL for the wall presence the scale asks for. Black and white finishes are hand-lacquered on the same oak base.
- Glazing
- Anti-reflective acrylic glazing. Optically clean, true colour, 66% UV block to slow fade under indoor light. Lighter than glass and safer in transit, fitted as standard on every framed piece.
- Mount
- FSC-certified, conservation-quality window mount, bevel-cut, hinged to an acid-free FSC backing board. Choose a white border for the gallery's breathing room, or no border to take the picture to the rebate.
- Hardware
- D-rings and braided picture wire fitted before dispatch. Out of the carton and onto the hook, no tools needed beyond a spirit level.
- Authenticity
- Made to order. Ask us to confirm the certificate supplied with this work. Made to order does not by itself mean a numbered edition.
Shipping and returns
- Production
- Ready to ship within 72 hours of ordering, including weekends. Nothing sits in a warehouse, the print, the mount and the frame are made for you, in that order. A tracking link follows the moment your piece is on its way.
- UK delivery
- Free, every size. Next-day delivery after dispatch by a tracked, insured courier. A tracking link follows when your piece ships.
- International
- Delivery on us to 41 countries. Europe is typically 3–5 working days after dispatch by air, further afield a little longer. Duties and local taxes are payable on arrival.
- Packaging
- Cardboard corner protectors on every edge of the frame, biodegradable bubble wrap, and a recycled-plastic foam sleeve, all inside a rigid double-walled carton. Recyclable, largely plastic-free, no foam pellets.
- Returns
- Made-to-order, so no change-of-mind returns once production has started. If a piece arrives damaged, email a photo within 30 days of delivery and we'll replace it free, both ways.
Care, bespoke and questions
Care and handling
Looked after properly, a giclée on cotton rag will hold its colour and depth for more than a century. A few simple habits keep it that way.
- Hanging
- D-rings and picture wire arrive pre-fitted. For the cleanest sightline, hang with the centre of the image around 150cm from the floor, the gallery convention most rooms read best at.
- Light
- Avoid direct sunlight, halogen spots, and uplighters. Even behind glazing, prolonged exposure shortens the life of any work on paper. Diffused daylight and warm gallery lighting are ideal.
- Environment
- Display away from radiators, fireplaces, and steamy bathrooms. A stable 18–22°C and 40–60% relative humidity preserves both paper and oak.
- Cleaning
- Dust the glazing with a dry, lint-free microfibre cloth. For smudges, lightly dampen with distilled water and wipe gently, never spray cleaner directly onto the frame or the acrylic.
- Handling
- Lift from the sides of the frame with clean, dry hands. Never touch the face of an unframed print, cotton-rag papers mark easily and the marks are hard to undo.
Bespoke requests
Some walls, and some stories, call for one-of-a-kind. Our bespoke service tailors fine art to your space, your proportions, and your interior palette.
- Custom sizes
- Scale any piece to fit an exact wall, alcove or panel, from intimate desk editions to oversized statement works.
- Frame & mount
- Wider oak profiles, deeper box mouldings, hand-painted lacquers, double window mounts, and float mounts on request.
- Commissions
- Work directly with our artists on a new, original piece, a location shoot, a portrait, or a curated series for a home or hospitality project.
- Trade
- Dedicated support for designers, architects, and curators, wall plans, renders, and commercial licensing.
- How it works
- Get in touch with your brief and a photo of the space; we'll reply within one working day with recommendations, samples, and a quote.
Questions, answered
- Why this price?
- Hahnemühle Photo Rag printed to order and shipped insured. Choose the photograph on its own or add an oak frame. The price covers the piece and the options you select, with 1.5% of every profit going to The Good Season Foundation.
- Choosing finish
- Natural oak for warmth and grain; black for graphic, contemporary rooms; white for galleries and clean interiors, hand-lacquered on the same oak base. A white border gives the picture breathing room; no border takes the image to the rebate. Unframed if you'd rather frame locally.
- Proof of craft
- Ask us about the paper, print process and certificate for this photograph. Edition numbers apply only to numbered editions.
- The artist
- Every photograph is selected with the maker, colour-matched against their reference, and approved before the edition opens. Read more on Jordan Cahill
- The Foundation
- 1.5% of every profit, in perpetuity, goes to forests, seas, animals and the places we photograph. Read the report
Choosing a size, frame or gift?See the guideQuestions about this piece?Ask the house
Client services
1.5% of every profit goes to The Good Season Foundation, in perpetuity, for forests, seas, animals and the places we photograph. Visit the Foundation