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By subjectThe Autumn Issue, 2026

Boat photography prints.

Harbour boats on the Côte d’Azur, a rowing boat crossing a Croatian lake, a blue hull beneath a Greek cliff. Boat and harbour photographs by Emma Tysinger and Jordan Cahill, printed to order.

White wooden boats with blue trim and varnished rails are moored close together, reflected in dark teal harbour water beneath crossing ropes.Tied for the Afternoon
Emma Tysinger
A blue passenger boat, smaller boats and swimmers sit below a vast pale cliff with fine horizontal layers.The Small Blue Boat
Emma Tysinger

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8 works
New In
White wooden boats with blue trim and varnished rails are moored close together, reflected in dark teal harbour water beneath crossing ropes.

Tied for the Afternoon

Emma Tysinger
From £49.99
New In
A blue passenger boat, smaller boats and swimmers sit below a vast pale cliff with fine horizontal layers.

The Small Blue Boat

Emma Tysinger
From £49.99
New In
Two people in a small wooden rowing boat cross a green-blue lake beneath a wooded bank with slender waterfalls.

A Slow Crossing

Emma Tysinger
From £49.99
A small boat with a white canopy surrounded by rippling turquoise, teal and deep blue water, seen from above.

Drift

Jordan Cahill
From £49.99
New In
An orange life ring hangs on a white boat railing beyond a stairwell with yellow trim, overlooking turquoise water.

The Yellow Passage

Emma Tysinger
From £49.99
New In
Reddish rocks enclose clear blue water on the French Riviera, with several small boats near the shore and a pale horizon beyond.

A Cove of One's Own

Emma Tysinger
From £49.99
New In
A boat with a red canopy and many smaller boats float on turquoise water between steep rocky slopes and green trees in an Alpine summer landscape.

The Blue Between

Emma Tysinger
From £49.99
New In
A person reclines with feet on a white terrace wall above deep blue sea, with two sailing boats offshore and pink flowers below.

Feet Up, Sea Below

Emma Tysinger
From £49.99
The photographerThe Autumn Issue, 2026
Jordan Cahill

Jordan Cahill

Jordan Cahill photographs the world as he finds it: ancient stone, open water, and the light between mountains. Northamptonshire-based. Ten years in the field.

The photographer’s work
The magazineThe Autumn Issue, 2026

Further reading.

The magazine
Sunlit snowfields and dark mountain peaks sit above a low bank of cloud, with distant ridges beneath a blue sky.

Choosing a photographic print size.

A dark ridge crosses the foreground beneath successive blue mountain silhouettes and narrow bands of valley mist.

Choosing a Wooden Frame for a Photographic Print

A glowing ribbon of golden mist curls between dark mountain ridges beneath a clear blue sky.

The Complete Guide to Fine Art Photography Paper

Before you chooseThe Autumn Issue, 2026

From the house.

Most of these boats are at rest. In Tied for the Afternoon, white hulls sit close together in a Côte d’Azur harbour, mooring ropes drawing diagonals across the water. In The Small Blue Boat a single hull holds the foot of a Greek cliff that fills the rest of the frame. Feet Up, Sea Below looks down from a terrace in Greece to two boats lying offshore in deep blue water.

Some are on their way. A wooden rowing boat carries two people across a lake in Croatia in A Slow Crossing; a boat with a red canopy leads up a narrow passage of water in the Alps in The Blue Between. Jordan Cahill’s Drift looks straight down on one small boat in open water. The Yellow Passage is taken from on board: a life ring, a yellow lintel and a rectangle of sea between decks.

Choosing your photograph.

Choose by how much water you want on the wall. Drift and Feet Up, Sea Below are mostly sea, deep blue fields that calm a busy room. Tied for the Afternoon is all boats: hulls, rails and reflections, with the structure to sit beside bookshelves in a study. The Yellow Passage reads cleanly at a small size, which suits a kitchen or a compact hallway.

Nearly all are portrait, so they work in narrower spaces or as a pair. Drift is the wide one, made for the wall above a bed or a low sideboard. Each is printed to order on 308gsm Hahnemühle Photo Rag and offered unframed or in a black, white or wood frame.

Questions & answers.

How it is made.

01Printed to order

Archival pigment on Hahnemühle Photo Rag 308gsm. A matte cotton paper chosen for rich colour and fine detail. Each photograph is printed after you order.

Hahnemühle · 308gsm · Archival pigment
02Framed by hand in oak

Sustainably sourced oak mouldings, finished by hand in the UK. A 20mm flat profile on Small to XL; a deeper box on 2XL and 3XL.

Oak · UK-finished · Wired
03Finished with clear acrylic

Clear acrylic glazing protects the photograph in its frame. Keep the finished work away from direct sunlight and damp conditions, and follow the care advice supplied with it.

Clear acrylic · Framed prints
04Delivered with care

Carefully packed for tracked delivery. Edition details are stated on the individual product page where applicable. 1.5% of every profit goes to The Good Season Foundation.

Made to order · Tracked delivery

1.5% of every profit, in perpetuity, goes to forests, seas, animals and the places we photograph. The Foundation