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By placeThe Autumn Issue, 2026

Greece photography prints.

A chair above the sea, pink flowers over a quiet street and boats beneath a wall of pale rock. Emma Tysinger’s photographs of Greece move between open water and the details ashore. Blue, white and small bursts of colour, with the pace set deliberately low.

A person reclines with feet on a white terrace wall above deep blue sea, with two sailing boats offshore and pink flowers below.Feet Up, Sea Below
Emma Tysinger
An orange life ring hangs on a white boat railing beyond a stairwell with yellow trim, overlooking turquoise water.The Yellow Passage
Emma Tysinger

Shop Greece

4 works
The photographerThe Autumn Issue, 2026
Emma Tysinger

Emma Tysinger

Paris-based photographer Emma Tysinger follows the seasons from café terraces and Mediterranean coves to palm-lined shores and the snowy Alps.

The photographer’s work
Before you chooseThe Autumn Issue, 2026

From the house.

The view does not always need improving. A chair turned towards blue water makes that argument well. Elsewhere, small boats sit below a pale cliff, and pink bougainvillea spreads across a whitewashed street. Emma Tysinger’s Greece photographs find their compositions in the relationship between the water and what people place beside it.

A ferry doorway offers a more graphic interruption: yellow overhead, white edges and a red life ring against the sea. Across the selection, colour has a clear job to do. Sometimes it fills the background; sometimes it gives the eye one small place to land. These are photographs of Greece with time left for the details.

Choosing your photograph.

For the strongest colour contrast, compare the ferry doorway with the bougainvillea street. The cliff and terrace photographs leave more room for pale surfaces and blue water. Choose a detailed view where you can approach it, or a simpler arrangement when the photograph will usually be seen from the other side of the room.

Each work is a portrait composition. The terrace and cliff views can sit together through their pale stone and blue sea; the ferry and flower photographs make a brighter pair. Keep one shared element, such as the frame finish or image size, then check both finished dimensions against the available wall before ordering.

Questions & answers.

How it is made.

01Printed to order

Archival pigment on Hahnemühle Photo Rag 308gsm. A matte cotton paper chosen for rich colour and fine detail. Each photograph is printed after you order.

Hahnemühle · 308gsm · Archival pigment
02Framed by hand in oak

Sustainably sourced oak mouldings, finished by hand in the UK. A 20mm flat profile on Small to XL; a deeper box on 2XL and 3XL.

Oak · UK-finished · Wired
03Finished with clear acrylic

Clear acrylic glazing protects the photograph in its frame. Keep the finished work away from direct sunlight and damp conditions, and follow the care advice supplied with it.

Clear acrylic · Framed prints
04Delivered with care

Carefully packed for tracked delivery. Edition details are stated on the individual product page where applicable. 1.5% of every profit goes to The Good Season Foundation.

Made to order · Tracked delivery

1.5% of every profit, in perpetuity, goes to forests, seas, animals and the places we photograph. The Foundation