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By subjectThe Autumn Issue, 2026

Slow Living photography prints.

A small boat, a grazing horse, palms casting long shadows. Calm landscape photography with room around the subject and time in the scene. Emma Tysinger, Jordan Cahill and David Szabó take the Slow Living edit from warm water to winter trees, with plenty to notice at an unhurried pace.

Two people in a small wooden rowing boat cross a green-blue lake beneath a wooded bank with slender waterfalls.A Slow Crossing
Emma Tysinger
Pink and violet sky above a dark, low shoreline, reflected in gently rippling water.Still Water
Jordan Cahill

Shop Slow Living

11 works
The photographerThe Autumn Issue, 2026
Emma Tysinger

Emma Tysinger

Paris-based photographer Emma Tysinger follows the seasons from café terraces and Mediterranean coves to palm-lined shores and the snowy Alps.

The photographer’s work
The magazineThe Autumn Issue, 2026

Further reading.

Before you chooseThe Autumn Issue, 2026

From the house.

A rowing boat is almost lost beneath the trees. A horse keeps eating while cloud crosses the mountain behind it. An empty lifeguard chair faces the sea. These photographs leave the activity small, letting water, light and open space carry the larger part of the scene.

Slow Living moves between Emma Tysinger’s lakes, palms, mineral terraces and winter landscapes, Jordan Cahill’s water studies, and David Szabó’s autumn meadow. The photographs differ in season and colour. What connects them is a composition you can settle into, then return to for the detail you missed.

Choosing your photograph.

Choose Drift or Still Water for a broad horizontal field of colour. A Slow Crossing brings the view closer, with trees, reflections and a small wooden boat. Stone in Stages takes a different route through pale mineral shelves and warm neutrals. Start with the amount of detail you want, then compare the palette with the room.

A wide water view can sit above a sofa or sideboard, while the tall palms and winter trees suit narrower walls. For a pair, look for a shared colour or a similar amount of open space instead of matching the subject exactly. View the full compositions and finished dimensions before choosing the sizes and frames.

Questions & answers.

How it is made.

01Printed to order

Archival pigment on Hahnemühle Photo Rag 308gsm. A matte cotton paper chosen for rich colour and fine detail. Each photograph is printed after you order.

Hahnemühle · 308gsm · Archival pigment
02Framed by hand in oak

Sustainably sourced oak mouldings, finished by hand in the UK. A 20mm flat profile on Small to XL; a deeper box on 2XL and 3XL.

Oak · UK-finished · Wired
03Finished with clear acrylic

Clear acrylic glazing protects the photograph in its frame. Keep the finished work away from direct sunlight and damp conditions, and follow the care advice supplied with it.

Clear acrylic · Framed prints
04Delivered with care

Carefully packed for tracked delivery. Edition details are stated on the individual product page where applicable. 1.5% of every profit goes to The Good Season Foundation.

Made to order · Tracked delivery

1.5% of every profit, in perpetuity, goes to forests, seas, animals and the places we photograph. The Foundation