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By subjectThe Autumn Issue, 2026

Ski chalet wall art.

Lift lines, piste signs, a timber hut with the skis left outside and a village under fresh snow. Winter photographs by Emma Tysinger and David Szabo, chosen for the walls of a ski chalet, printed to order and framed by hand.

Snow-covered terrace furniture and a dark railing frame a view of timber chalets and a forest disappearing into snowfall.Snow from the Terrace
Emma Tysinger
A timber mountain hut stands in bright snow beneath a blue sky, with a crowded rack of skis in the foreground.Lunch at Altitude
Emma Tysinger

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23 works
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Snow-covered terrace furniture and a dark railing frame a view of timber chalets and a forest disappearing into snowfall.

Snow from the Terrace

Emma Tysinger
From £49.99
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A timber mountain hut stands in bright snow beneath a blue sky, with a crowded rack of skis in the foreground.

Lunch at Altitude

Emma Tysinger
From £49.99
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A red cable car crosses a snowy village landscape with timber rooftops, snow-laden trees and clouded mountains beyond.

The Valley Below

Emma Tysinger
From £49.99
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Skiers sit in bright red deckchairs on a sunny snow terrace, with tracks and lifts on the mountainside behind them.

One More Break

Emma Tysinger
From £49.99
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Dark Porsche in side profile on an icy clearing, with forested slopes and sunlit snow-covered mountains behind it.

Cold start

David Szabo
From £49.99
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Black-and-white photograph of an empty chairlift and a second chair carrying two people, silhouetted against bright sun and a pale sky.

Up in the air

David Szabo
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A small yellow cable car travels beside snow-laden trees on a steep white slope under an overcast sky.

A Small Yellow Journey

Emma Tysinger
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White Lancia parked in falling snow below a curved timber-clad building with deep snow on its roof and windows.

Snow line

David Szabo
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Many small skiers scatter across a broad sunlit piste below a snowy ridge and a clear blue sky.

Everybody Down

Emma Tysinger
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An orange paraglider passes a jagged, snow-covered mountain peak beneath a pale blue sky.

A Little Altitude

Emma Tysinger
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Dark structural beams frame a snowy mountain view from a cable-car station, with cables leading towards the peaks.

The Mountain Door

Emma Tysinger
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Black-and-white close-up of a snow-dusted Porsche Carrera's rear window and badge, with skis and poles on its roof rack.

Ski weekend

David Szabo
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Snow coats tall conifers on a wooded slope, their pale branches fading into an overcast winter sky.

The White Woods

Emma Tysinger
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Two paragliders, one red and one orange, fly above a jagged snow-covered mountain range under a wide blue sky.

Room to Fly

Emma Tysinger
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Dark wooden window frames look out over a snowy village street and timber buildings beneath a forested mountainside.

The Window Seat

Emma Tysinger
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Cars almost completely buried beneath deep snow, seen from above, with footprints between them and a small red tail light visible.

Snowed in

David Szabo
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A chairlift carrying skiers hangs above a pale snowy ridge, with parallel cables crossing the upper part of the photograph.

The Chair Above

Emma Tysinger
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Sunlit snowfields and dark mountain peaks sit above a low bank of cloud, with distant ridges beneath a blue sky.

Above the Weather

Emma Tysinger
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Yellow Porsche along a wet street beneath a white building with blue shutters and two ornate iron balconies, with snow in the foreground.

A little colour

David Szabo
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A ski-piste signpost stands on a snowy ridge above a deep mountain valley, under a partly clouded blue sky.

Which Way Down

Emma Tysinger
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A small red cable car passes tall snow-covered trees, with a white slope and mountain ridge in the background.

The Red Way Through

Emma Tysinger
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A line of chairlifts climbs a broad white slope towards a dark rocky ridge, with scattered trees below.

The Long Ascent

Emma Tysinger
From £49.99
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A red cable car travels along diagonal cables in front of snowy mountain peaks and a pale winter sky.

The Red Way Up

Emma Tysinger
From £49.99
The photographerThe Autumn Issue, 2026
Emma Tysinger

Emma Tysinger

Paris-based photographer Emma Tysinger follows the seasons from café terraces and Mediterranean coves to palm-lined shores and the snowy Alps.

The photographer’s work
The magazineThe Autumn Issue, 2026

Further reading.

The magazine
Pink light settles across open water, with a low strip of land holding the horizon.

What size art goes above a sofa?

A luminous band of gold mist runs through the folds of a dark mountain landscape.

What size art goes above a bed?

Clear blue water meets a steep, fractured rock face, seen from above, the shoreline cutting diagonally across the frame.

Mount or no mount.

Before you chooseThe Autumn Issue, 2026

From the house.

The right photographs for a chalet are of the day outside it. Emma Tysinger follows that day from the first lift to the last chair: a red cable car crossing above the village in The Valley Below, red deckchairs facing the slopes in One More Break, a timber hut with a rack of skis outside in Lunch at Altitude. Snow from the Terrace is the view at the end of it, past a railing heavy with snow to chalets fading into the weather.

David Szabo brings the cars that make the journey. A dark car on an icy clearing beneath a sunlit ridge in Cold Start, a white one beneath a timber building as the snow comes down in Snow Line, skis and poles on a roof rack in Ski Weekend. His Up in the Air, two chair lifts in black and white, sits beside Emma Tysinger’s quieter studies of cables, trees and snow.

Choosing your photograph.

Give the long walls to the wide photographs. The Valley Below, Above the Weather, Room to Fly and Snow from the Terrace all run horizontally, and suit the space above a sofa or a dining table. The portrait lift photographs (The Red Way Up, A Small Yellow Journey, The Long Ascent) hang well in a line along a corridor or beside the boot room door.

Against timber, black frames hold their edge and white frames read as snow; a wood frame can disappear into pine panelling. Every photograph is printed to order on 308gsm Hahnemühle Photo Rag with archival pigment inks, in six house sizes from Collectors to Grand, and delivered free.

Questions & answers.

How it is made.

01Printed to order

Archival pigment on Hahnemühle Photo Rag 308gsm. A matte cotton paper chosen for rich colour and fine detail. Each photograph is printed after you order.

Hahnemühle · 308gsm · Archival pigment
02Framed by hand in oak

Sustainably sourced oak mouldings, finished by hand in the UK. A 20mm flat profile on Small to XL; a deeper box on 2XL and 3XL.

Oak · UK-finished · Wired
03Finished with clear acrylic

Clear acrylic glazing protects the photograph in its frame. Keep the finished work away from direct sunlight and damp conditions, and follow the care advice supplied with it.

Clear acrylic · Framed prints
04Delivered with care

Carefully packed for tracked delivery. Edition details are stated on the individual product page where applicable. 1.5% of every profit goes to The Good Season Foundation.

Made to order · Tracked delivery

1.5% of every profit, in perpetuity, goes to forests, seas, animals and the places we photograph. The Foundation