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By subjectThe Autumn Issue, 2026

Coastal photography prints.

Open water, small boats, a row of parasols and the last rocks before the sea. Coastal photographs by Jordan Cahill and Emma Tysinger move between wide horizons and life beside the shore. Choose the water, the weather or the detail that makes you want to stay.

A small boat with a white canopy surrounded by rippling turquoise, teal and deep blue water, seen from above.Drift
Jordan Cahill
Rows of pale beach umbrellas line a narrow French Riviera beach beneath a tall rocky cliff, beside clear green-blue water and swimmers.The Umbrella Committee
Emma Tysinger

Shop Coast

20 works
The photographerThe Autumn Issue, 2026
Jordan Cahill

Jordan Cahill

Jordan Cahill photographs the world as he finds it: ancient stone, open water, and the light between mountains. Northamptonshire-based. Ten years in the field.

The photographer’s work
The magazineThe Autumn Issue, 2026

Further reading.

Before you chooseThe Autumn Issue, 2026

From the house.

An empty lifeguard chair, a boat on blue water, the meeting of a cliff and the sea. Jordan Cahill’s coastal photographs give familiar subjects room to hold their own. Emma Tysinger adds palms, beach parasols, harbour boats and swimmers, following the shoreline through its small human details as well as its views.

Some photographs leave most of the frame to water and sky. Others use rock, a terrace or a row of boats to bring the view closer. Choose between a broad horizon and a more detailed scene, or let the two sit together. The collection is connected by the sea, with room for each photographer’s way of seeing it.

Choosing your photograph.

Start with Drift for a broad field of blue water and a small boat held within it. Off Duty gives a narrow wall a taller composition: an empty lifeguard chair against sea and sky. Edge of Water brings the coastline closer, with rock, foam and blue-green water meeting on a diagonal.

For a sofa or sideboard, compare the width of a landscape photograph with the furniture below it. For a narrow return wall, try a portrait work. Look at the colour in daylight and in the evening before choosing the size. The product page shows the print and framing options; check the finished dimensions against your wall.

Questions & answers.

How it is made.

01Printed to order

Archival pigment on Hahnemühle Photo Rag 308gsm. A matte cotton paper chosen for rich colour and fine detail. Each photograph is printed after you order.

Hahnemühle · 308gsm · Archival pigment
02Framed by hand in oak

Sustainably sourced oak mouldings, finished by hand in the UK. A 20mm flat profile on Small to XL; a deeper box on 2XL and 3XL.

Oak · UK-finished · Wired
03Finished with clear acrylic

Clear acrylic glazing protects the photograph in its frame. Keep the finished work away from direct sunlight and damp conditions, and follow the care advice supplied with it.

Clear acrylic · Framed prints
04Delivered with care

Carefully packed for tracked delivery. Edition details are stated on the individual product page where applicable. 1.5% of every profit goes to The Good Season Foundation.

Made to order · Tracked delivery

1.5% of every profit, in perpetuity, goes to forests, seas, animals and the places we photograph. The Foundation